Wren’s Nest Publishing Co. Entering its Fourth Lap!
Since 2007, we’ve been lucky enough to work with incredible student editors to create three exceptional literary journals. So we decided to stop while we were ahead.
KIDDING!
Nope, we’re entering our fourth year with the Wren’s Nest Publishing Co. and couldn’t be more excited. Sure, we’ve been harping about our new KIPP STRIVE program, but behind the scenes, WNPCo. is on and poppin’.
We’ve sent informational packets to all of the English Department heads of every high school we could think of in Fulton and Dekalb counties and have already heard back from several students interested in Editor positions. It’s working!
“What do you mean, Editor positions?” you ask. You crazy ignoramus! Looks like it’s time for me to break down the whole program.
- –> Throughout the summer we work with a team of 8-10 student editors, all Atlanta-area high school students, who do all the work for us while we take the credit. Just kidding! Kind of! The students really do make all editorial decisions, including which pieces to include, how to format the text, the name of the publication, choosing the cover, etc. They also learn how to market the journal, and are responsible for soliciting all of the submissions.
- –> The submissions are all from Atlanta-area high school students. They include short stories, essays, poetry, and artwork — and they’ve been darn good, if I do say so.
- –> The journal is created with and for the Decatur Book Festival, the country’s largest independent book festival. The journal debuts there on Labor Day weekend and the Editors organize a literary salon to celebrate the journal and its contributors.
- –> Because of our ties to the good people at the DBF, we’ve also been able to do great things like tour the AJC, tour Paste Magazine’s offices (the students’ favorite trip each year), and have writers, authors, marketing professionals and other experts in the publishing world talk to the group throughout the summer. Which is important, because Lain and I don’t know what we’re doing.
(Our 2009 Editors deciding which of Paste’s awards to steal.)
Lots and lots of information about the program can be found here, including the Editor application due date (*cough* May 9th) and the submission deadline (*double cough* July 5th).
I suggest taking a gander and then telling every teacher, parent, and overachieving teenager you know about the program. We can only get the word out so far, which is where you come in!
Also, you know what’s fun to do? Our bidding! Thank you very much!
Phoenix Flies — Be at One of Its Many Destinations or be Square!
Starting tomorrow and continuing through the 22nd of March, Phoenix Flies 2010 will be upon us. This truly amazing opportunity to see a huge number of Atlanta’s historical attractions — on the cheap — should not be missed.
Like so many of the other participants, the Wren’s Nest will be offering special events and extended hours, in addition to free admission for the weekends of Phoenix Flies:
- On (Saturdays) March 6th and 13th, we’ll have our regular hours (10am – 2:30pm) with two storytelling sessions: 11:30am and 1pm.
- On Sunday — you heard me — March 7th (as well as the 14th), we’ll be open from 1 – 4pm, with storytelling sessions at 1:30 and 3pm.
In other words, don’t believe a word of what you read on Pecanne Log. Except the part about Oakland Cemetery. That’s all true.
Phoenix Flies is put on by the Atlanta Preservation Center every year and, simply put, provides an outstanding range of events, almost all for free. If I may be a crybaby for a moment, this is one of the few times it really busts my hump to work at such a small place, because in order for the Wren’s Nest to be open for Phoenix Flies, we can’t, you know, attend many other events. Boo hoo.
So please, see all the neat things you can — for me. I beseech thee.
“Ooh, Yeah, History Right There.”
The Wren’s Nest was featured this morning on CBS Atlanta in their “Blog Stew” segment, airing at 5:43am. I missed it. Shoot.
Luckily, the whole clip can be found right here. We’re at the beginning, in case you can’t free up more than 58 seconds in your schedule.
Sue Rodman, of the wonderful Field Trips with Sue, led the segment, and was kind enough to highlight the Wren’s Nest as one of the many, many worthwhile destinations being showcased this weekend as part of Phoenix Flies (more on that tomorrow).
The best part is that they’re basically scrolling through the Wren’s Nest Facebook picture page as they chat, meaning that Lain and I are now totally famous photographers. Well, along with Jonathan Hillyer.
Wait, did I say that was the best part?
I meant that the real best part is the quote featured in the title of this post, which embodies how I feel when I walk into the Wren’s Nest every single morning. Breathe it in.
This clip also highlights a challenge we face every day at the Wren’s Nest: “Joel Chandler Harris” can be very hard to say. Most frequently, people lob off the Harris and drop an “h,” leaving us with the esteemed Joel Candler. Being that we’re in Atlanta and Candler is a name seen often around town, it’s understandable. Plus, I mean, three names? Who does this guy think he is? Mary Lou Retton?
Anyhow, thanks to Sue Rodman and CBS Atlanta for showcasing the Wren’s Nest this morning — it was great!
Huckleberry Hound Tells the Uncle Remus Stories
Lately we’ve been showing you all manner of greatness influenced by Brer Rabbit and Uncle Remus (1,2,3). Eventually, we were bound to run out of impressive, possibly life-changing material.
Luckily, now is the opposite of that time.
(Thanks to Gasoline Alley Antiques for the picture)
Allow me to introduce you to “Huckleberry Hound Tells Stories of Uncle Remus.” First, a primer on Uncle Remus himself:
Uncle Remus
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Just lays it right out there, doesn’t it? If there’s anything Huckleberry Hound hates, it’s ambiguity.
Next, a story with language so rich, all I can do to prepare you is to say that the phrase “snitchin’ my goobers!” is featured. Strengthening my point? Someone is “caught red-headed” in this tale. This guy knows what I’m talking about.
Dollar a Minute
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HI-sterical!
I think this last one sounds like The Rascals’ never-released surf jam:
Brer Rabbit
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And this is just the tip of the iceberg. It seemed a little excessive to post the entire album, but after listening further — well, it may just have to be done. We owe it to Huckleberry.
Thanks to the wonderful folks at Wax n’ Facts for giving us a copy of this album and piquing our interest. It took us a while to track down the, uh, tracks, but man alive am I glad we did.
New Writing and Publishing Project with KIPP STRIVE — Volunteers Needed!
I’m pleased to announce that next month the Wren’s Nest Publishing Company is starting a new program with the help of the Decatur Book Festival.
It’s like StoryCorps + 826 Valencia + the kids in our neighborhood. Y’all with me?
KIPP STRIVE Academy is the new APS charter school just around the corner in the old J.C. Harris Elementary building. Starting in late March, each week the Wren’s Nest Publishing Company will bring volunteers with significant writing experience to work 1-on-1 with about 25 KIPP STRIVE 5th graders. The goal is to help improve and broaden their writing skills.
We’ll be working on a creative nonfiction project — the students will identify a great story told to them by a significant adult in their life, be it a parent, grandparent, neighbor, whomever. Volunteers will guide the students, helping them craft the story to the best of their abilities.
The stories will be compiled for a book to be released at the Decatur Book Festival. We’ll have a big book release party to celebrate at the DBF.
Our mission boils down to the fact that everyday people have remarkable stories, and that these stories deserve to be heard. We’ve got an opportunity to tell the stories of our community, and you have the opportunity to help these students find their voices.
StoryCorps and 826 Valencia in particular have been inspirations in demonstrating the power of story and the power of 1-on-1 tutoring. See for yourself –
We’re looking for enthusiastic volunteers to join us in this venture, starting… now. Interested?
Check out the details below and then email Amelia (amelia@wrensnestonline.com) with “Writing! Woo!” in the subject line before March 12th. She’ll send you a (very brief) application form.
- Orientation sessions (2 hours maximum; beers to follow) will begin in mid-March
- Tutoring sessions will be held Tuesday afternoons from 3 – 4 pm, April – early June
- Volunteers must be willing to commit to 10 hours of service over a 2 month span.
- Volunteers must have experience in some sort of writing (you need not have written a book, mind you! We’re merely looking for good writers. If you think you qualify, you probably do. Amelia, for example, wrote a lot of literature papers in college and now writes this blog. She counts!)
Finally, we would deeply appreciate it if you would forward this opportunity to anyone you feel would be great for this project, but isn’t smart enough to regularly read our blog. Assembling 20 – 25 volunteers is no small feat, but with your help, we feel up to the task.
Loudon Wainwright — “Black Uncle Remus” Lyrics
On Thursday I was listening to Loudon Wainwright on Fresh Air. He was talking about his new album that pays tribute to Charlie Poole.
All of a sudden I remembered — “Oh! Loudon Wainwright wrote a song called ‘Black Uncle Remus!’ Let’s see if I can embed that into a blog post.”
Turns out I can’t embed it just yet. For now, the best I can do is send you to the Yep Roc label for a refreshingly substantial preview of the song. You can also buy it for all of 99 cents. It’s the first track.
Of all the Uncle Remus-inspired music (see: Miley Cyrus’s “Zip-a-dee-do-dah,” Van Dyke Parks’s Jump!, Henry F. Gilbert’s unfinished Uncle Remus Opera, Devin the Dude’s NSFW “Briarpatch,” etc), this track is the most jammable as Amelia and I have proved all week. The lyrics are below.
Black Uncle Remus in central square, Somebody took the rocker off the rocking chair. When you got the whiskey habit You don't talk about Brer Rabbit.
Black Uncle Remus got the death letter blues, The hellhound says it time to pay the dues. You rarely recall the catfish catchin' When you're living in the Briar Patches.
Black Uncle Remus, he moans and he sings, His tears have rusted his banjo strings. You start calling for Jesus or your Mama maybe When your life's gummed up in the old Tar Baby.
Whatcha gonna do, whatcha gonna do, Whatcha gonna do when you're black and blue?. Whatcha gonna do, whatcha gonna do, Whatcha gonna do when you're black and blue?
Elephants in Atlanta — Then and Now
Jamie Gumbrecht has a thoughtful and concise post up at the AJC’s Inside Access page about the controversy surrounding the elephants in the Ringling Brothers and Barnum and Bailey Show. It opened Friday night in Atlanta.
Two animal rights groups have appealed to Mayor Reed to keep the elephants out of the show, and PETA made an unusually tasteful protest last week with a sad pachyderm statue in Woodruff Park.
Now, I’m not here to use this space to argue either way — though it should be noted that, all PETA disparaging aside (and believe me, I had to curb it), I LOVE elephants. I went through a pachyderm phase circa 1991 that was unparalleled, featuring an evolutionary pictograph (thank you, Kids Discover magazine) and a barf-green sweatshirt with an African elephant standing in purple grass. Note: I hate purple and should never, ever wear olive green, but the elephant on the front triumphed over good sense.
Nope, I’m here to talk about the elephant tooth we have here at the Wren’s Nest.
Once upon a time Clio the Elephant was the biggest attraction at Atlanta’s Grant Park zoo. When Clio died, parts of her body were gifted to noteworthy people, including our very own Joel Chandler Harris. He kept her molar on his desk at the Atlanta Constitution. We like to have kids guess what it is as part of the tour.
Kind of a horrifying practice, right? But also a product of the times. We use this example a lot when people deride Harris for being insensitive or un-PC — also known as “a person who lived 100 years ago.” As usual, our argument remains: present judgement should be reserved for present situations.
That said, you may believe that circus elephants are a relic of an ignorant time gone by, and I don’t think I disagree.
1937 Uncle Remus Illustrations by Fritz Eichenberg
This 1937 Uncle Remus book illustrated by Fritz Eichenberg is quite handsome. Apparently, the Peter Pauper Press only made 1100 of ‘em.
The Lil’ Rabs on the cover caught my eye, and the illustrations inside didn’t disappoint. I’ve included nine of them below. For some, I’ve added the audio from our storytellers that corresponds to the illustration.
Donald Griffin – The Wonderful Tar-Baby Story
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Woodie Persons — Brer Rabbit’s Riding Horse
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Akbar Imhotep – Mr. Fox Goes Hunting, But Brer Rabbit Bags the Meat
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I love how innocent yet entirely malicious Brer Rabbit and Brer Fox look.
The next illustration is also deliciously evil — the Lil Rabs look on with glee as their father steams Brer Wolf alive. Yippee! Everyone in the back — throw ya hands up!
I love everything about Brer Wolf in this picture! Just look at him! Is this picture exactly like Harvey Keitel and Robert DeNiro in Taxi Driver or what?!
MARTA’s Controversial Yellow Line
Photo courtesy of Hyku / CC BY 2.0
Yesterday the AJC reported that MARTA is in some hot water with the Center for Pan Asian Community Services regarding its (relatively) new “yellow” line that terminates in Doraville. Since part of the yellow line runs through an area with a sizable Asian population, some have taken offense. Here’s MARTA’s rail map, for reference.
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Creative Loafing contributor Andisheh Nouraee has taken the opportunity to tweet about the controversy (1, 2, 3):
This reminds me of two things –
1. The time my friend criticized this blog for use of the phrase “calling a spade a spade.”
2. The time that “tar baby” has been appropriated as a racial slur.
Did you know that “spade” is derogatory in some circumstances? I didn’t. Did you know that “tar baby” is derogatory in some circumstances? Probably so. Does that mean I’m insensitive for calling “a spade a spade” or retelling the most famous African-American folk tale or riding the yellow line to Doraville?
Unless my token asian friends tell me differently, I’m just going to assume this is being blown way out of proportion. As the article points out, MARTA isn’t exactly blameless here and had some warning about potential unease, but let’s be reasonable: does this mean the stop lights along that same corridor are red, racist, and green?
What about when we tell “The Wonderful Tar-Baby Story” in our (predominately African-American) neighborhood — is it more racist here than if we told it in (mostly white) Avondale? No — that’d be like saying the crackers at Kroger in Alpharetta are more racist than the crackers at Kroger on Cascade Road.
Yellow is a primary color, y’all. It’s also a Coldplay song. And, yes, it’s also a slur. But just because a word is sometimes hurtful doesn’t mean we should banish it to the depths of the Disney vault, never to see the light of day again. It’s a slippery slope, folks.
Related: Tar Baby in Classic Saturday Night Live Sketch
Arthur Miller’s 1941 Radio Play — “Joel Chandler Harris”
In 1941 Arthur Miller wrote a radio play for Cavalcade of America called “Joel Chandler Harris.” Karl Swenson, he of Little House on the Prairie fame, plays the lead role.
The play runs about 26 minutes and is sort of an “aw shucks!” biography. Still, the writing is well done. The accents, however, are questionable.
“Joel Chandler Harris” by Arthur Miller
The play is based in fact but it isn’t entirely factual. For example, there’s a scene where Harris meets Teddy Roosevelt and Mark Twain at the White House. In reality the incident in question did occur, but with only Mark Twain and in New Orleans.
Compared with many of the historical inaccuracies we usually deal with, however, this feels like a case of tomato/tomato.
Related: More episodes of Cavalcade of America (presented by DuPont!), Disney’s 1956 “aw shucks!” biography of young Joel Chandler Harris
Amelia Trace Lerner
Program Director
Lain Shakespeare
Executive Director